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How did the nineteenth century European scholars make sense of the depictions of gods and goddesses ?

Answer» <html><body><p></p>Solution :(i) The nineteenth century European scholars tried to make sense of what appeared to be strange images by comparing them with sculpture with which they were familiar that from ancient Greece.<br/> (ii) Scholars often <a href="https://interviewquestions.tuteehub.com/tag/found-458144" style="font-weight:bold;" target="_blank" title="Click to know more about FOUND">FOUND</a> early Indian sculpture inferior to the works of Greek artists . They were very excited when they discovered images of the <a href="https://interviewquestions.tuteehub.com/tag/buddha-403339" style="font-weight:bold;" target="_blank" title="Click to know more about BUDDHA">BUDDHA</a> and Bodhisattas that were evidently based on Greek models . <br/> (iii) These were, more often than not, found in the northwest, in cities such as Taxila and Peshawar , where Indo-Greek <a href="https://interviewquestions.tuteehub.com/tag/rulers-1192080" style="font-weight:bold;" target="_blank" title="Click to know more about RULERS">RULERS</a> had established kingdoms in the <a href="https://interviewquestions.tuteehub.com/tag/second-1197322" style="font-weight:bold;" target="_blank" title="Click to know more about SECOND">SECOND</a> century BCE. <br/> (iv) As these image were closest to the Greek statues these scholars were familiar with, they were considered to be the best examples of early Indian art. In <a href="https://interviewquestions.tuteehub.com/tag/effect-966056" style="font-weight:bold;" target="_blank" title="Click to know more about EFFECT">EFFECT</a> , these scholars adopted a strategy we all frequency use-devising yardstick derived from the familiar to make sense of the unfamiliar.</body></html>


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